In this field, Alfonso Wolbert approaches the image through structure, framing, light, texture and spatial tension. Rooted in his background in architecture and sculpture, these works do not treat form as an abstract exercise, but as a way of revealing how meaning emerges through arrangement, proportion and material presence.

The images often remain close to the physical world—land, surface, trace, mass, pattern—but they move beyond description toward concentration. Space is not a backdrop, but an active force. Lines, ruptures, rhythms and fields of texture begin to organise perception. The result is work in which form does not simplify reality, but sharpens it.